As the popularity of ‘outsider art’ has risen, the art world has made significant strides in considering the voices of marginalised or disenfranchised artists. Audrey Amiss is a striking example of an unknown artist whose immense oeuvre, which was only discovered after her death, is marked by issues of mental health. Amiss’ art allows a bewildering glimpse into the life of a woman wholly preoccupied with artmaking, collecting, and recording.
Read the rest of this article, written by my daughter Eilís Doolan
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